{"id":11640,"date":"2020-09-14T17:59:28","date_gmt":"2020-09-14T15:59:28","guid":{"rendered":"https:\/\/www.artsmusica.net\/cursos\/?p=11640"},"modified":"2021-12-01T12:52:32","modified_gmt":"2021-12-01T11:52:32","slug":"curso-analisis-musical-i","status":"publish","type":"post","link":"https:\/\/www.artsmusica.net\/cursos\/analisis-musical\/curso-analisis-musical-i\/","title":{"rendered":"Curso \u00abAn\u00e1lisis musical I\u00bb"},"content":{"rendered":"\n<div style=\"height:27px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"><\/div>\n\n\n\n<div class=\"wp-block-image\" data-block-type=\"core\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"424\" src=\"https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I_curso.jpg?resize=650%2C424&#038;ssl=1\" alt=\"\" class=\"wp-image-11662\" srcset=\"https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I_curso.jpg?w=650&amp;ssl=1 650w, https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I_curso.jpg?resize=300%2C196&amp;ssl=1 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"><\/div>\n\n\n\n<p class=\"has-luminous-vivid-amber-background-color has-background wp-block-paragraph\"><strong>***<\/strong> <strong>Curso en proceso de elaboraci\u00f3n.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" data-block-type=\"core\">Descripci\u00f3n del curso<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Primer curso de an\u00e1lisis musical en el que realizaremos el estudio de cinco obras desde sus aspectos formales, la estructura interna (periodos, frases, incisos), los motivos r\u00edtmicos y mel\u00f3dicos, la armon\u00eda y todas sus particularidades.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Con este curso podr\u00e1s adquirir una metodolog\u00eda de an\u00e1lisis musical para que puedas aplicarlo a las obras que estudias con un instrumento. Para lograr una correcta interpretaci\u00f3n musical es necesario conocer la obra a fondo, as\u00ed que el conocimiento que adquirir\u00e1s con este curso te ayudar\u00e1 a comprender mejor c\u00f3mo est\u00e1 construida una composici\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este curso tambi\u00e9n te ayudar\u00e1 a relacionar todos los conocimientos que has adquirido en el \u00e1mbito de la teor\u00eda musical, desde la armon\u00eda, el contrapunto, las formas musicales, hasta todo lo relativo al solfeo y el lenguaje musical. En definitiva, el an\u00e1lisis musical nos ayudar\u00e1 a comprender m\u00e1s a fondo la m\u00fasica y adoptar una visi\u00f3n cr\u00edtica ante cualquier obra musical.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" data-block-type=\"core\">Con este curso conseguir\u00e1s\u2026<\/h2>\n\n\n\n<ul class=\"wp-block-list\" data-block-type=\"core\"><li>Conocer c\u00f3mo est\u00e1 construida una composici\u00f3n desde su aspecto formal.<\/li><li>Adquirir una visi\u00f3n m\u00e1s cr\u00edtica del lenguaje musical.<\/li><li>Aplicar el an\u00e1lisis musical a las obras que interpretamos con cualquier instrumento o voz.<\/li><li>Adquirir una metodolog\u00eda de an\u00e1lisis musical.<\/li><li>Poner en pr\u00e1ctica todos los conocimientos adquiridos en el \u00e1mbito de la teor\u00eda y el lenguaje musical.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" data-block-type=\"core\">Requisitos<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Para estudiar con \u00e9xito este curso recomendamos haber superado previamente los siguientes cursos de nuestro conservatorio online:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/armonia-y-contrapunto\/armonia-i\/\">Armon\u00eda I<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/armonia-y-contrapunto\/armonia-ii\/\">Armon\u00eda II<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/solfeo-y-teoria-de-la-musica\/curso-construyendo-escalas-mayores-y-menores\/\">Construyendo escalas mayores y menores<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> <a href=\"https:\/\/www.artsmusica.net\/cursos\/analisis-musical\/formas-musicales\/\">Formas musicales<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/solfeo-y-teoria-de-la-musica\/solfeo-y-teoria-de-la-musica-iv\/\">Solfeo y teor\u00eda de la m\u00fasica IV<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/armonia-y-contrapunto\/introduccion-al-contrapunto\/\">Introducci\u00f3n al contrapunto<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" data-block-type=\"core\">Lecciones<\/h2>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion indice gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Lecci\u00f3n 1. <em>Sonatina en Sol mayor<\/em>, I-Moderato, Beethoven.<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/1-1-sonatina-en-sol-mayor-beethoven-caracteristicas-generales\/\">1.1. Primera parte: caracter\u00edsticas generales<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/1-2-segunda-parte-analisis-armonico\/\">1.2. Segunda parte: an\u00e1lisis arm\u00f3nico<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/1-3-tercera-parte-analisis-formal\/\">1.3. Tercera parte: an\u00e1lisis formal<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion indice gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Lecci\u00f3n 2. <em>Melodie<\/em>, Schumann.<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/2-1-melodie-schumann-caracteristicas-generales\/\">2.1. Primera parte: caracter\u00edsticas generales<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/2-2-melodie-schumann-analisis-armonico\/\">2.2. Segunda parte: an\u00e1lisis arm\u00f3nico<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/2-3-melodie-schumann-analisis-formal\/\">2.3. Tercera parte: an\u00e1lisis formal<\/a><\/p>\n<\/div><\/details><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion indice gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Lecci\u00f3n 3. <em>Sinfon\u00eda en Sol mayor<\/em>, n\u00fam. 39, I-Allegro, Sammartini<\/strong>.<\/summary><div class=\"gb-accordion-text\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/3-1-sinfonia-en-sol-mayor-sammartini-caracteristicas-generales\/\">3.1. Primera parte: caracter\u00edsticas generales<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/analisis-musical-i\/3-2-segunda-parte-analisis-armonico\/\">3.2. Segunda parte: an\u00e1lisis arm\u00f3nico<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3.3. Tercera parte<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion indice gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Lecci\u00f3n 4. <em>Para Elisa<\/em>, Beethoven.<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p class=\"wp-block-paragraph\">4.1. Primera parte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4.2. Segunda parte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4.3. Tercera parte<\/p>\n<\/div><\/details><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-accordion indice gb-block-accordion\"><details><summary class=\"gb-accordion-title\"><strong>Lecci\u00f3n 5. <em>Sonata en Do mayor<\/em>, n\u00fam. 16, K. 545, Mozart.<\/strong><\/summary><div class=\"gb-accordion-text\">\n<p class=\"wp-block-paragraph\">5.1. Primera parte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5.2. Segunda parte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5.3. Tercera parte<\/p>\n<\/div><\/details><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Primer curso de an\u00e1lisis musical en el que realizaremos el estudio de cinco obras desde sus aspectos formales, la estructura interna, los motivos r\u00edtmicos y mel\u00f3dicos, la armon\u00eda y todas sus particularidades.<\/p>\n","protected":false},"author":1,"featured_media":11660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-11640","post","type-post","status-publish","format-standard","has-post-thumbnail","category-analisis-musical","entry"],"featured_image_urls_v2":{"full":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?fit=550%2C359&ssl=1",550,359,false],"thumbnail":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?resize=150%2C150&ssl=1",150,150,true],"medium":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?fit=300%2C196&ssl=1",300,196,true],"medium_large":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?fit=550%2C359&ssl=1",550,359,true],"large":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?fit=550%2C359&ssl=1",550,359,true],"1536x1536":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?fit=550%2C359&ssl=1",550,359,true],"2048x2048":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?fit=550%2C359&ssl=1",550,359,true],"sidebar-featured":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?resize=75%2C75&ssl=1",75,75,true],"genesis-singular-images":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?resize=550%2C359&ssl=1",550,359,true],"gb-block-post-grid-landscape":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?resize=550%2C359&ssl=1",550,359,true],"gb-block-post-grid-square":["https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?resize=550%2C359&ssl=1",550,359,true]},"post_excerpt_stackable_v2":"<p>Primer curso de an\u00e1lisis musical en el que realizaremos el estudio de cinco obras desde sus aspectos formales, la estructura interna, los motivos r\u00edtmicos y mel\u00f3dicos, la armon\u00eda y todas sus particularidades.<\/p>\n","category_list_v2":"<a href=\"https:\/\/www.artsmusica.net\/cursos\/categoria\/analisis-musical\/\" rel=\"category tag\">An\u00e1lisis musical<\/a>","author_info_v2":{"name":"Administrador","url":"https:\/\/www.artsmusica.net\/cursos\/author\/admin\/"},"comments_num_v2":"0 comentarios","jetpack_publicize_connections":[],"featured_image_src":"https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?resize=550%2C359&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?resize=550%2C359&ssl=1","author_info":{"display_name":"Administrador","author_link":"https:\/\/www.artsmusica.net\/cursos\/author\/admin\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2020\/09\/analisis_musical_I.jpg?fit=550%2C359&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/posts\/11640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/comments?post=11640"}],"version-history":[{"count":41,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/posts\/11640\/revisions"}],"predecessor-version":[{"id":17497,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/posts\/11640\/revisions\/17497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/media\/11660"}],"wp:attachment":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/media?parent=11640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/categories?post=11640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/tags?post=11640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}