{"id":495,"date":"2019-05-25T16:57:02","date_gmt":"2019-05-25T16:57:02","guid":{"rendered":"https:\/\/www.artsmusica.net\/cursos\/?post_type=artsmusica_cursos&#038;p=495"},"modified":"2019-08-23T10:36:59","modified_gmt":"2019-08-23T10:36:59","slug":"de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo","status":"publish","type":"artsmusica_cursos","link":"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/","title":{"rendered":"Curso \u00abDe Beethoven a Brahms: la m\u00fasica instrumental del Romanticismo\u00bb"},"content":{"rendered":"\n<div class=\"wp-block-image\" data-block-type=\"core\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"337\" height=\"337\" src=\"https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2019\/05\/historia2.jpg?resize=337%2C337&#038;ssl=1\" alt=\"\" class=\"wp-image-297\" srcset=\"https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2019\/05\/historia2.jpg?w=337&amp;ssl=1 337w, https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2019\/05\/historia2.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.artsmusica.net\/cursos\/wp-content\/uploads\/2019\/05\/historia2.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 337px) 100vw, 337px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Curso de historia de la m\u00fasica instrumental en el Romanticismo.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"text-align:center\" data-block-type=\"core\">Lecciones del curso<\/h2>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/1-musica-y-sociedad-en-el-siglo-xix\/\">Lecci\u00f3n 1. M\u00fasica y sociedad en el siglo XIX<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/2-que-es-en-realidad-la-musica-romantica\/\">Lecci\u00f3n 2. \u00bfQu\u00e9 es en realidad la m\u00fasica rom\u00e1ntica?<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/3-caracteristicas-principales-de-la-musica-romantica\/\">Lecci\u00f3n 3. Caracter\u00edsticas principales de la m\u00fasica rom\u00e1ntica<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/4-la-primacia-del-piano\/\">Lecci\u00f3n 4. La primac\u00eda del piano<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/5-la-musica-sinfonica-y-la-musica-de-camara\/\">Lecci\u00f3n 5. La m\u00fasica sinf\u00f3nica y la m\u00fasica de c\u00e1mara<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/6-los-poemas-sinfonicos-franz-liszt\/\">Lecci\u00f3n 6. Los poemas sinf\u00f3nicos: Franz Liszt<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/7-johannes-brahms-y-la-musica-absoluta\/\">Lecci\u00f3n 7. Johannes Brahms y la m\u00fasica absoluta<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/8-los-wagnerianos-anton-bruckner-hugo-wolf-y-richard-strauss\/\">Lecci\u00f3n 8. Los wagnerianos: Anton Bruckner, Hugo Wolf y Richard Strauss<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/9-las-escuelas-nacionales-de-finales-de-siglo\/\">Lecci\u00f3n 9. Las escuelas nacionales de finales de siglo<\/a><\/strong><\/p>\n\n\n\n<p style=\"background-color:#ffffff\" class=\"has-background wp-block-paragraph\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/de-beethoven-a-brahms-la-musica-instrumental-del-romanticismo\/10-musicos-de-transicion-mahler-strauss-debussy-y-otros\/\">Lecci\u00f3n 10. M\u00fasicos de transici\u00f3n: Mahler, Strauss, Debussy y otros<\/a><\/strong><\/p>\n","protected":false},"featured_media":0,"parent":0,"menu_order":0,"template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":["post-495","artsmusica_cursos","type-artsmusica_cursos","status-publish","entry"],"featured_image_urls_v2":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":"","sidebar-featured":"","genesis-singular-images":"","gb-block-post-grid-landscape":"","gb-block-post-grid-square":""},"post_excerpt_stackable_v2":"<p>Curso de historia de la m\u00fasica instrumental en el Romanticismo. Lecciones del curso Lecci\u00f3n 1. M\u00fasica y sociedad en el siglo XIX Lecci\u00f3n 2. \u00bfQu\u00e9 es en realidad la m\u00fasica rom\u00e1ntica? Lecci\u00f3n 3. Caracter\u00edsticas principales de la m\u00fasica rom\u00e1ntica Lecci\u00f3n 4. La primac\u00eda del piano Lecci\u00f3n 5. La m\u00fasica sinf\u00f3nica y la m\u00fasica de c\u00e1mara Lecci\u00f3n 6. Los poemas sinf\u00f3nicos: Franz Liszt Lecci\u00f3n 7. Johannes Brahms y la m\u00fasica absoluta Lecci\u00f3n 8. Los wagnerianos: Anton Bruckner, Hugo Wolf y Richard Strauss Lecci\u00f3n 9. Las escuelas nacionales de finales de siglo Lecci\u00f3n 10. M\u00fasicos de transici\u00f3n: Mahler, Strauss, Debussy y otros<\/p>\n","category_list_v2":"","author_info_v2":{"name":"","url":""},"comments_num_v2":"0 comentarios","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos\/495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos"}],"about":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/types\/artsmusica_cursos"}],"version-history":[{"count":6,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos\/495\/revisions"}],"predecessor-version":[{"id":1430,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos\/495\/revisions\/1430"}],"wp:attachment":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/media?parent=495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}