{"id":10097,"date":"2020-07-22T17:45:20","date_gmt":"2020-07-22T15:45:20","guid":{"rendered":"https:\/\/www.artsmusica.net\/cursos\/?post_type=artsmusica_cursos&#038;p=10097"},"modified":"2021-09-27T13:23:09","modified_gmt":"2021-09-27T11:23:09","slug":"9-quinto-caso-practico-swan-on-the-lake-tchaikovsky","status":"publish","type":"artsmusica_cursos","link":"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/9-quinto-caso-practico-swan-on-the-lake-tchaikovsky\/","title":{"rendered":"9. Quinto caso pr\u00e1ctico: Swan on the Lake (Tchaikovsky)"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"><\/div>\n\n\n\n<p>En la novena lecci\u00f3n del curso \u00abArmon\u00eda moderna aplicada al piano I\u00bb estudiaremos una de las melod\u00edas m\u00e1s famosas del ballet<em> Swan on the Lake<\/em> del compositor ruso Tchaikovsky. Sin duda, ser\u00e1 una lecci\u00f3n muy interesante. \u00a1Comencemos!<\/p>\n\n\n<p data-block-type=\"core\"><div class=\"rcp_restricted rcp_paid_only\"><p><!-- wp:paragraph {\"backgroundColor\":\"very-light-gray\"} --><\/p>\n<p class=\"has-background has-very-light-gray-background-color\"><i class=\"fas fa-lock\"> <\/i> Este contenido est\u00e1 \u00fanicamente disponible para los suscriptores. Puedes <a href=\"#login\"> identificarte aqu\u00ed<\/a> , <a href=\"https:\/\/www.artsmusica.net\/cursos\/niveles-de-suscripcion\/\"> suscribirte<\/a> o <a href=\"https:\/\/www.artsmusica.net\/cursos\/registro\/\">actualizar tu nivel de suscripci\u00f3n<\/a>.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<\/div><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\" data-block-type=\"core\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" data-block-type=\"core\">Lecciones del curso<\/h2>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/1-el-cifrado-americano-simbolos-mas-comunes\/\">1. El cifrado americano: s\u00edmbolos m\u00e1s comunes.<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/2-el-cifrado-de-acordes-de-tres-sonidos\/\">2. El cifrado de acordes de tres sonidos.<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/3-el-cifrado-de-acordes-de-cuatro-sonidos\/\">3. El cifrado de acordes de cuatro sonidos.<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/4-modelos-de-acompanamiento-armonico\/\">4. Modelos de acompa\u00f1amiento arm\u00f3nico.<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/5-primer-caso-practico-candilejas-chaplin\/\">5. Primer caso pr\u00e1ctico: Candilejas (Chaplin).<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/6-segundo-caso-practico-my-way-claude-francois-jacques-revaux\/\">6. Segundo caso pr\u00e1ctico: My Way (Claude Fran\u00e7ois, Jacques Revaux).<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/7-tercer-caso-practico-moon-river\/\">7. Tercer caso pr\u00e1ctico: Moon River (Henry Mancini).<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/8-cuarto-caso-practico-what-a-wonderful-world\/\">8. Cuarto caso pr\u00e1ctico: What a Wonderful World (George D. Weiss y Bob Thiele).<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice-destacado has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/9-quinto-caso-practico-swan-on-the-lake-tchaikovsky\/\">9. Quinto caso pr\u00e1ctico: Swan on the Lake (Tchaikovsky).<\/a><\/strong><\/p>\n\n\n\n<p class=\"indice has-very-light-gray-background-color has-background\"><strong><a href=\"https:\/\/www.artsmusica.net\/cursos\/curso\/armonia-moderna-aplicada-al-piano-i\/10-sexto-caso-practico-hallelujah-leonard-cohen\/\">10. Sexto caso pr\u00e1ctico: Hallelujah (Leonard Cohen).<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/www.artsmusica.net\/cursos\/piano\/armonia-moderna-aplicada-al-piano-i\/\"><strong>Regresar a la p\u00e1gina principal del curso<\/strong><\/a><\/p>\n","protected":false},"featured_media":0,"parent":7813,"menu_order":9,"template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":{"0":"post-10097","1":"artsmusica_cursos","2":"type-artsmusica_cursos","3":"status-publish","5":"entry","6":"has-post-thumbnail"},"featured_image_urls_v2":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":"","sidebar-featured":"","genesis-singular-images":"","gb-block-post-grid-landscape":"","gb-block-post-grid-square":""},"post_excerpt_stackable_v2":"<p>En la novena lecci\u00f3n del curso \u00abArmon\u00eda moderna aplicada al piano I\u00bb estudiaremos una de las melod\u00edas m\u00e1s famosas del ballet Swan on the Lake del compositor ruso Tchaikovsky. Sin duda, ser\u00e1 una lecci\u00f3n muy interesante. \u00a1Comencemos! Este contenido est\u00e1 \u00fanicamente disponible para los suscriptores. Puedes identificarte aqu\u00ed , suscribirte o actualizar tu nivel de suscripci\u00f3n. Lecciones del curso 1. El cifrado americano: s\u00edmbolos m\u00e1s comunes. 2. El cifrado de acordes de tres sonidos. 3. El cifrado de acordes de cuatro sonidos. 4. Modelos de acompa\u00f1amiento arm\u00f3nico. 5. Primer caso pr\u00e1ctico: Candilejas (Chaplin). 6. Segundo caso pr\u00e1ctico: My Way (Claude&hellip;<\/p>\n","category_list_v2":"","author_info_v2":{"name":"","url":""},"comments_num_v2":"0 comentarios","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos\/10097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos"}],"about":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/types\/artsmusica_cursos"}],"version-history":[{"count":18,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos\/10097\/revisions"}],"predecessor-version":[{"id":16897,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos\/10097\/revisions\/16897"}],"up":[{"embeddable":true,"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/artsmusica_cursos\/7813"}],"wp:attachment":[{"href":"https:\/\/www.artsmusica.net\/cursos\/wp-json\/wp\/v2\/media?parent=10097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}